The Weird Canadian on Podcasting, Community, and the Power of Real Life Events.  With Special Guest Cody Johnston
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The Weird Canadian on Podcasting, Community, and the Power of Real Life Events. With Special Guest Cody Johnston

Hey, everybody. Welcome to the Poduty Live Podcast Theater. It is Saturday,

April 25, 2026. We've got six great

stories about live podcasting. We're recording it live.

We've got Cody Johnston. Cody, do you know what time it is?

It is time for my interview. What time is it?

What time is.

Poduty and the News.

Poduty and the News.

The only live news podcast about

podcasting from the st.

The only live news podcast about

podcasting from the stage.

Oh, the only live news podcast about podcasting from the stage.

Cody, welcome to the show. Thank you very much for having me. I'm

excited to join you. AKA the Weird Canadian.

I love the name. I love the backstory behind it. Tell us a little about

yourself. What are you working on up there, up north of the border?

So I'm Cody Johnston, AKA the Weird Canadian, currently

building out a media empire that is to

protect the creative. I'm really fascinated in TV

shows and movies, and I'm sick of Hollywood destroying the

content for whatever they think they want to make money off of.

So I've really decided to build this as a company to

protect that. I'm in the process of making that happen by

making myself a little bit more famous and getting myself out there and

showcasing who I am to the world so that I can bring in those. Those

great storytellers and be able to give them the TV shows and the

recognition they deserve. Aside from that, I am also a

software developer, so I am building applications left, right, and center across the board.

Awesome. I love that story. This idea of

independent media, I think it's such an important part going forward

because so many people have access to these tools. They

have the ability to go live. They have the ability to create an asset

that they own and that belongs to them, that nobody else can take it.

And you're really tapping into that. You're getting away from these

corporate conglomerates and you're really showing people how can

they build something that they own and control and

hopefully showcasing a lot of it while I'm doing this. Yeah, it's a great

way to do. And the website. If people want to reach out to you, connect

with you, what's the best way to find you? The WeirdCanadian CA

or literally anywhere you type. The Weird Canadian. I will pop up. I got

lucky and got that name early and have had it for a year now, so

I think I own it. There can be only one the

Weird Canadian. Check it out. Search for the Weird Canadian. Cody

Johnston, are you ready for our stories?

Very ready. Here we go. We got our first story coming tonight

from History Hits Different Live. This one is from

Marshall Partheon. A live episode of Us and Them

used Ken Burns, the American Revolution as a starting point.

But the real story was what happened next. Professors, students,

and the audience all stepped into the discussion, challenging ideas

about history, identity, and what the country stands for today.

This wasn't about finding the right answer. It was about creating a space for

different perspectives to exist at the same time. And that's where live

podcasting starts to separate itself. It's not just about telling

stories. It's about letting people step inside. And

I think this is a lot about what we talk about here at the theater,

what Cody's building. This is that idea of you can

build something, take it to an audience, take it live in front of

a group of people who have the same interests as you, who are interested in

the same topics you talk about, the ideas you share.

You can really position yourself as the expert and build

a small community around your passions, around your interest.

Yeah. And honestly, with the emergence of

podcasts, we're actually seeing a surge in people understanding a

lot more about what's going on, a lot more about history. There's

a lot in our understanding of what went on in the past that

we do not know because we've lost the context of those people who actually

said the words or did the things. Now is a great

time to be recording a lot of the information and. And having these

nuanced discussions because we don't get the chance to ask

both sides of the story and then come up with our own conclusions from that

anymore. We get told what the narrative is, and then we're just

told to go along with it. We can now start challenging

things, seeing things from different perspectives, and actually start

understanding people as themselves instead of the

collective that we see them as. Yeah. And live events

like this, you know, you can. It's one thing to read a post on social

media and, like, angrily type a comment to get

people going and, you know, and ruffled some feathers. But when you have

social discourse in an environment like this, in a community setting

where you're in front of people face to face, the level of

conversation is exponentially better than it is on social media. The

interaction with your neighbors is exponentially better

than it is on social media. And I really think people are hungry and

thirsty for. For events like this. They.

People are. We. The Internet

doesn't give us that sense of satisfaction to connect with people.

And I think a lot of people are starting to understand that as we're starting

to develop and understand social media and what we've done over the past 15

to 20 years with the Internet, we're really structuring

our understanding based on text. And that

really doesn't help because with text you can't understand tone,

you can't understand intonation, you can't understand intention. The.

The things that make us human, that make us connect to each other and see

past our differences. Text doesn't do that. Text makes

it harder for us to understand each other. The only way

you actually get to understand somebody is if you have a conversation with them

and be able to see where they come from and then also be able to

showcase where you come from. I think honestly, the

more we have people talking like this in real

life or even just recorded conversations, I think we're going

to be more empathetic and more

welcoming to challenges and things we've been afraid of

for a lot of our lives. Yeah, I really hope so.

I'm really believing in that path forward.

Life is just better in real life. Life is better when you're not

sitting at home after work, doom scrolling through a thousand

videos, but out in the public, out with your friends and neighbors, having

a night out, sharing conversation. I really

think we're coming back full circle to. In real life

again. Like. Like the 1970s, like, we would hang out at a park or,

you know, picnic table or pavilion and talk to people. You

actually hang out and socialize. And these types of events,

they're coming back and they're coming back with a vengeance. And

the other side to that too is they're also coming back and being

cost effective. Like they're. They're no longer like the.

When you have the 70s and 80s and stuff, the ticket prices for concerts

and you're going out were so cheap, they wanted you to come.

Over the past several decades, we've just made things more and more

expensive to go out and hang out with people. And now we're just

coming back to everything becoming cheaper because people want more

inclusivity, want people to actually show up. I think

we're actually seeing the revolution take place of. We

are sick and tired of capitalists taking advantage of us. And we want to build

something that actually does something for us. I'm very

excited for the next 10 years in terms of who you get

to see, what experiences you'll get, because

they'll be either expedited in a way that

AI is going to help you understand it better, or it's going to be

cheap enough for you to be like, yeah, I can't not say no to. Can't

not say no to this opportunity. Yeah. And in regards

to some of the expenses that you've been talking about, it looks like we're starting

to see some fracturing of certain companies

buying the entire process of the ticket sales, to

owning the events, to owning the artists. We're starting to see that, hey,

maybe that's a monopoly and we should let more competition in here. You

can't have one company own the entire pillar

of that industry. So those things are starting to break apart. And hey,

with more competition, we may get back to those 70s and 80s

prices. It's funny that you mentioned that, because

when we have the laws to take these

guys down, we've had them for years. I think the discussion around

it and the people's frustration has really

driven the decision to actually use those laws for

a long time. We just been set with the status quo, and now we're actually

having the power to make those choices again. Well,

you mentioned the word driven. Our next story fits

perfectly into that. From stage to stream, this is Car

Dealer and magazine in the uk they hosted a live

event. And here's a move more events are starting to figure out.

Don't let the live moment end when the room clears out. Car

Dealer Live turned their event into a podcast by packaging up the best

moments and releasing them as a highlight episode. It gives people a

taste of what they missed while also creating a path to monetize

the full replay. This is live podcasting doing double

duty. First it serves the audience in the room. Then it becomes a

discovery engine for the next audience online. The real takeaway

here is simple. Your live event is not the finish line. It's

the starting point for more content, more reach, and

more revenue. People are very

afraid of the bots and the people

who hide themselves on the Internet. I understand. Sorry,

I'm getting a little bit too far back into the weeds of things. But I

understand a lot of where we came from as a society being like, we need

the anonymity. We need to be protected. The narrative around

the Internet in the early days of the Internet was protect yourself. The narrative when

I grew up was don't open the door to a stranger. Right. Those

narratives have just kind of enclosed on the Internet,

making us become two different people.

And I think the fear of showcasing

who you are is now going away, and it's becoming an engine

to drive change and monetary

gain.

When you're working with a live event, you are more

vulnerable than ever. And not just in terms of

who you're talking to, it's also on stage. Like, if you worry about

anything in the political space, you might not want to go outside because potential

for bad actors. But the more you do it, the more

people are going to resonate with it because they want that connection.

And then, yes, you get to use those reels, all of that stuff, to

showcase who you are in little bits. And those little bits get people

interested in what they think you are. And as they start to know

you, they start to generate an idea in their head of whether they like

you or not. The more you push out, the more people

are going to understand about you. And it's a fun fact because it kind of

goes to my own story, as I am 100% myself online

and offline. If you look up the weird Canadian and talk and showcase

how I speak and everything, I will do the exact same thing

in person. I am most likely to tell you an

insult online as I am in person now, because I'm done with the

line of not showcasing who we are, because I think

we need people to just be real again.

Yeah. The one thing you can't do in a live environment is

run it with AI. It's honest emotion, it's

honest conversation. And in events like this, where

you're having an audience come in, they're talking about automotive

business, they're talking about how to be better at your dealership, how to

sell more cars, but the audience that's in there that day,

there's also a whole group of people outside of that audience that

want to hear what happened at that event. They want to hear the replays.

And those replays then become sort of the marketing to set up the

next event. So when you create your own media, when

you're giving information as a human, not as letting some

bot write a blog post, you're building this thing

that other people will gravitate to. And as more people outside of

that event gravitate towards it, that's more ticket sales down the

road. You're really extending your advertising, your marketing.

You're finding ways to grow that event

for nine, ten months down the road to start selling the tickets for

the next event. And you don't even need to be big. I

cannot say this enough. You could literally have your live event in

a park that you have in your local area with no

cost to you, everything you already have resource. It used to

be that there was this big barrier to having these extra clips and things that

you could post on TV or social media. That

cost us next to nothing. Now, everybody with a phone

now has the same ability as anybody in a studio.

So don't think your live event needs to be on some

stage somewhere. You can just host an event with live people

in your neighborhood, at a park, or in your own home or wherever

you feel like it. And then you can just monetize from there. Like, you can

figure out how to get more people involved. Based off of that,

we're opening more ways to wealth to the individual.

Absolutely. And one of the things, the power of live events. Here's the secret

to the theater space. And a lot of people come to me and like, hey,

I want to do a live event, but I don't have a space in my

neighborhood. And just like Cody says, oh, yes, you do. You have

parks, you have coffee shops, you have restaurants that have

banquet rooms that go unused during the weekday. You have libraries

with media centers. There's places to do this. But the real

secret to live events is. I'm going to give you a little bit of podcast

math today. I know it's Saturday morning. We don't want to have a lot of

math. But the most podcasters, they put a show together, and

their goal is, I'm going to build an audience, and then I'm going to sell

ad space to advertisers. And the reality is, if you

can get a thousand downloads for your podcast, you can sell a

block of 1,000 ads for about $20. If you did a host red

ad, every thousand downloads you get, you could earn about

$20. But where the math breaks down is

90% of podcasters do not get to a thousand

downloads per episode. So there's this major hurdle that nobody

talks about. So if you could get a thousand downloads, you make

20 bucks. Great. You know, that's our starting point. That's our baseline. But if

you were to do a live event at a coffee shop at your library

and you sold 10 tickets or four tickets for

$5, right? Get your friends, your family, your cousins, your

neighbors, you say, hey, I just need to get four people to come watch

me live. Those four people at $5 will give

you $20 in ticket sales, which is

equal to the thousand people that would

download your digital download. So I asked people, what's more

realistic? Is it more realistic to get four people to show up for you

or to get 1,000 downloads on your next episode? And the math tells

us that it's more realistic to start building this asset that you

own. Don't rely on the algorithm to bring you an

audience. Rely on yourself to build community. Rely on

yourself to elevate your friends and neighbors. You know, entertain them.

Build something that's special in your Hometown, because those four people

quickly become 16. They become 32,

64. I'm using computer math here, but, you know, as

every doubles every 18 months, you're going to, you're going to build

something that has value and you're going to see returns right away

because you're entertaining a live audience. In real life, IRL

events have so much more potential than

digital downloads for 90% of podcasters.

And that's one of the reasons why I'm so gung ho on building a

media company that protects the creative, because there's so many more avenues to

monetize TV shows and movies than just

showcasing the actual show. One of the biggest

takeaways for me is I think most of the content, most of the

storytelling should be free. Anything extra. That's where you get

into the charging. If you want to go into more backstory and you want

to understand more of the character, that takes time out of my

day, so I'm going to charge for that. But I just want to showcase my

story. I just want to showcase what idea I have in my head

that should be free. Ideas should be out there for everybody to use and

have. It's, it's the, the content or

the, the branded content that you then start selling.

There's so many monetization ways and pathways to even be

successful. You don't even have to follow the standard route

anymore. And I just, I appreciate that

we have the opportunity now. We haven't for

most of our existence, exactly the last 20 years

have really been controlled and taken over by, you know, certain

tech companies that control the whole flow of information. But

there is this, hey, let's maybe reset. The people are kind of

sick of this, that, you know, why am I working for you for free? To

give content to your system that you're not going to share with the people who

are subscribed to me. You're going to suppress me until I either

pay to boost it in the algorithm or I'm just done with

it. You know, people are done with it and they want to, they want something

more tangible. They want to have a night out. They want to.

Sometimes we have, we've had shows here. I would say half of our shows

bring in full catering. Like they make it an event where they're

feeding their guests, they're. They're having drinks, and then they do a show and they're

having A good time together. And that's a complete different

experience than we've been building for the last 20 years online.

If you really break it down, the only thing that

is actually tangible in your life is is life experiences.

That's just the simple fact of life. If you don't experience new and

different things, you're going to be the same person, not go anywhere and not

do anything. Getting out there, meeting people is

and connecting is the only way to grow.

Like, what's the value of a Like and subscribe compared to the value

of a handshake and eye contact? It's you. They're not

even on the same game. I've gotten to talk to

CEOs of big companies just because I asked them

and have a connection with somebody else. Like these are opportunities that you miss

out on when you don't connect. Well, speaking of

connection, I connected to this next story because one of my favorite movies

is Back to the Future. And this podcast is called Bake to the

Future. It's in the baking industry. It comes to us from the commercial baking.

I think it was a conference when industries have real problems. Live

podcasts are starting to become the place where those problems get talked

through in public. At a baking conference in Chicago, a

live episode of Bake to the Future focused on one

issue that keeps coming up. Workforce

hiring, retention. That seems like four issues on some of

the issues that keep coming up. Workforce, hiring, retention, and the

future pipeline. Instead of another closed door panel, they

opened the conversation up on stage and turned it into content. That

shift matters because now the conversation doesn't just stay in the

room. It becomes something the entire industry can learn from,

share and respond to. Live podcasting isn't just

entertainment. It's becoming a tool for industries

to think out loud. We hire people

to companies to solve problems. That's your job. You go in to solve

a problem that they have. We understand

that when we have an issue and we don't understand it, we need to

bring in expertise. What happens when you don't know what

expertise you need? What happens when you don't know

what the actual problem is? You need to bring in insight

from everywhere. Governments really

should take heed to this because if you put out what

actual issues there are, you could have a public discussion where

facts come out, experts come out, and just

general ideas that nobody would have thought of.

The reason software is software developers love open

source is because we don't. We don't think we know

everything, but we know that if we ask

others, they're going to be able to help us work through things.

You have an experience set that you've

developed over your lifetime. That experience set does not work

in every scenario. And if you

just open up your world to saying, okay, I don't understand this, let

me find somebody who does. We

solve everything. We solve world hunger, we solve diabetes, we solve

medical breakthroughs. This is why I'm so

gung ho on AI is because we are actually allowing

intelligence to be sourced by anybody. Which means if you

have some sort of experience in a field and you want to learn more in

another field, it doesn't take much to learn that other field

because it can break it down in a way you understand. I think

every problem we have is going to be solved by the public. We just need

to let the public actually have access to it. Yeah. And

events like this, where there used to be these closed door

conversations where the event would pick four people, usually

four people who were sponsors of the event. They got to send their CEOs

or CMOs, and you would just listen to a panel of four people

regurgitate company mission statements. But now

by having podcasts replacing those panels

of four people, they're bringing in podcasts as a form of entertainment

as part of the show, as part of the schedule.

Isn't a four panel entertainment anymore. They're bringing in podcasts from within

the industry and they're having unstructured

dialogue. They're tackling problems like you hear here at

Baking Tech 2026, where the podcast is

talking and diving into issues that are actually interesting

to the audience. Whereas before it was talking points for

sponsors regurgitating to the audience, now we're opening

that dialogue, allowing the podcast to control the

conversation of the room, to talk about things that are going to impact

the industry in eight months, 16 months down the road.

This is, this is the real future of events, is having these industry

conversations happen live on stage. To be

honest with you, you don't even know what expertise you don't know until you start

investigating. I, I with AI

was a software developer. I really enjoyed code. Now I'm a musician,

an author, podcast host. I'm running a 3D printing company.

I'm doing tourism in my town.

These are all things that I just got empowered to do because I

was interested in something different. Podcasts give,

gives you a lot of insight into what you don't know and how to work

with it, and gives you a lot of questions to run with. I'm

very, very happy about, like searching the Internet and figuring out what I,

what I'm trying to figure out, and once I do, I'm so happy. I think

people enjoy solving problems and I think

giving everybody the same opportunity is as

equitable as you can be on a planet. You're giving everybody the

opportunity to solve the same problem.

Speaking of solving problems, so many problems get solved over beer.

We got beer. Business and the Buzz when you bring

podcasting directly into the middle of an industry event, you don't just

report on what's happening, you become part of it. At the

Craft Brewers Conference in Philadelphia, the brewbound

podcast set up for an on location studio to capture

energy in real time. From major acquisition news to

conversations about customer experience and industry trends, they

turned the conference into content as it

unfolded. You, you are essentially just

giving more will to people that

join, right? Like, you're showcasing how it's fun, you're showcasing that

it's a great environment. You're showcasing

everything. People worry about when they go into a live space.

They're worrying about who they know, they're worrying about who they can talk to,

they're worrying about what they don't know that they might be

embarrassed of. I think this is kind of something that I've been working on a

while ago. People are ashamed to ask questions,

and a lot of that shame gets alleviated

when there's some idiot like myself in there just

saying things that are enjoyable and making

it a little bit more of a

welcoming space. I don't know about you. The

last time I was at an an expert event, I didn't feel

like an expert at all. But I also

didn't fear questioning where I didn't know things. Like, I'm

okay with being wrong, because if I'm wrong, it means I have an

opportunity to figure out what's right. And

with that, I think you're getting more nuanced

conversations that people want. The lacking in

humanity that we have on the Internet, where it's like these quick clips

where you only get a snippet of information, you don't get much detail, you're actually

getting to understand the personality of a person. And I think

that's more welcoming to an event than just showcasing what

that event can be about. Like, I love beer,

but I know nothing of it and I don't know what I would talk about

aside from I want to go to each booth and drink a beer,

right? Like, who's going to. Who's going to actually, like, pull me aside and say,

hey, do you want to learn about brewing or do you want to learn how

we do our different processes. And sometimes you want to

know that information, but you don't want to ask. It's a great opportunity for people

to do that. It's almost like the sharing of information has

gone grassroots again, where in this conference

you're getting direct information from the people who are making it

happen, who own small breweries, who probably have small

restaurants alongside their brewery to figure out different ways to

monetize and keep customers entertained. You're getting all that

information from the people who are actually doing it.

Not just experts, but the experts who are actually doing it. And

I think these types of events really connect the people who are interested

in it with the people who are doing it. And it's really this new

one to one exchange of information. I like how you

phrased the experts question, because to

me, those experts that came on stage and said they were experts in things,

while they may be knowledgeable, they hadn't done the actual

work. To me, an expert is somebody who's actually doing the work,

actually in the process of developing something or making something.

They have more expertise on what they are doing than

your higher up does. They may have been involved in the process

at some point, but they are no longer involved, which means they have a

little bit of lacking of information in key areas that

a lot of people are. So as a software developer, I'm more likely to

connect with another software developer who's speaking my language

than a senior expert who can't

speak the same language as me. Yeah, a lot of

quote unquote experts. They did have success at one point, maybe 10,

15 years ago, and really made waves throughout the industry. And then they just

relied that for 10 to 15 years. But I'd

rather talk shop with the people getting their hands dirty who are doing it

right now, who are moving the needle on a grassroots

level and becoming, yes, they'll probably be the next experts

in 10, 15 years because of what they're doing now. And that's fine. That's

a great career path to take and not taking away anything from that. But

most of the time you're gonna get your best information from, from the people who

are actively doing it right now, today. And

with the level of technology we have, it's becoming

harder and harder to stay an expert on anything unless you're doing it

full time. And when I

want to portray myself as an expert and write down some notes, I always

use, I put all my notes in crayons. And this is where we're going to

the next one. The Crayola's second act. This comes to us

from Adweek on YouTube. You would think a brand like Crayola has

already done everything it can do. But in a live podcast

at Brand Week, their former cmo, Victoria

Lozano made it clear that growth never really

stops. The conversation focused on how Crayola is

expanding beyond kids, tapping into adult audiences,

and building an entire ecosystem around creativity.

This is bigger than marketing. It's about rethinking what your business

actually is. And it's where live podcasting shines. Instead

of a polished campaign, you get a strategy behind it. You

get to see why. Because sharing, because

staying relevant isn't about protecting what you've built. It's about being

willing to redline it in real time. This

is kind of an interesting story because I actually had an interview with

the chief creative direct, I can't

remember her title of Lego. And she was

showcasing how she brings LEGO into high

profile executive boardrooms to showcase how

it isn't just a toy, it's something that you can work with and people

understand as a general medium. I think a lot

of things we used to do as children are vibing with

us now because when we were playing with those things, they were

real to us. They had imagination beyond

belief. For us, we've gone into a

system where we're told exactly how things are supposed to

be. And then we grew up into that system to find out that

none of that is true. Everybody just making it up as we go

and people are really just wanting to see the,

where people are coming, like where the businesses are coming from. Why are, why are

you marketing this to me? Why do you think I should have these things?

And the more businesses are open about their processes,

who they're doing it for, what they're doing, the more likely you

are to buy. This is one of the

revolutions I think we're going to go through is a lot of these giant companies

are going to fail because instead of being transparent, they're going to

hide and try and showcase only what they want to show.

We no longer live in a, in a high trust world.

People want, want accountability and they just want to understand

and if you don't have those two things as a business nowadays, you're

not going to make it. We're seeing that with AI right now.

People aren't trusting the models and smaller models are coming up because

they're just saying, hey, we did this this way. We're going this way

because we believe this. It's going to happen

everywhere. And I hope, my only hope is that

People like the bigger companies start embracing those changes.

I think they're going to benefit from it mostly. But I

also think that they're afraid.

Yeah, the AI revolt is just around the corner. You

see people getting angry now. People are

straight up not even talking to you. If they even

suspect you're using AI. There was just

a radio station in Cleveland that was promoting their

podcast, and they were using, like, they were using the voice, but they were

using AI imagery as the part of the voiceover.

And people rejected and revolted the. This whole

campaign in droves. And we. We don't want to see that. We want to see

that connection. And I think that's something Crayola is really tapping into here. I'm

thinking of. Of myself. You know, I'm turning 50 this year,

and I hadn't thought about crayon since I was five. You know, 45 years

ago, I was in the market for Crayola, but I wasn't the purchaser. My

parents were. But then I had children, and I had another

reconnection with Crayola by coloring, you know, with my daughters and, you know,

you know, having those sessions on the floor where you're coloring Princess

Belle images from Disney, all you doing all the coloring.

But as an adult, we're fine. We see a lot of

coloring, adult coloring books. It's very therapeutic. It's very

relaxing. And this is a company that's kind of tapping into

real experiences, real life things, real moments that you share with

family, real connection. And if you can do that with your podcast,

show the real side of it, show how do you connect with

real people in real time. That's. That's what they're building.

That's a great lesson for you to take from for your podcast

with the. The also resurgence of

childhood, like nostalgia and stuff like that. For a

long time, we have always been a society that

teaches our children that you need to be adults as fast as possible.

We are now learning that the more you make a child

do that, the more mental harm you cause to them.

The best way you could raise a child right now is let them be a

child. Stop putting them in political narratives. Stop putting them in what you

think they are. Let them just play, have fun, figure things out,

and they'll have a better upbringing.

The kids. We have an opportunity to.

For our next generations to raise kids, allowing

them to be children and understanding that fact. And

now, like when I say Criola's working on a

nostalgia now is all of the adults now who wanted that childhood that

they never got. They didn't get to play because they were told they had to

be adult. They had to do this, they had to do that. They're going back

to those things because they feel like they missed out on something.

And and honestly, I grew up thinking

I needed to be an adult. It was only when I realized that being

childish makes your life fun. I can still do

things as an adult, I can still take on responsibility, but I'm going to be

a child for the most part. When I want to, I'm going to play, I'm

going to have fun. When you strip that out, you don't really

enjoy much. And speaking of having

fun and doing things as an adult, you could go to the New

Heights Podcast I saw this. This was all over social media, this

is all over press releases. But I'll give POD News credit. I was the

first place I saw it was on POD News. And this is what it looks

like when a podcast becomes something bigger than a podcast.

New Heights with Jason and Travis Kelsey is heading to Los Angeles

for a live show at the Orpheum Theater. And it's not just a

recording, it's a full scale experience. Thousands of

fans, brand sponsors, celebrity guests, and a distribution

plan that stretches across YouTube, Prime Video and podcast

platforms. This is the evolution. Content turns into

community, community turns into events, and

live events turn into a full business ecosystem that

includes commerce, partnerships and cultural moments. Live

podcasting is no longer a side project for some creators,

it's the business model. It really is.

I've actually talked to a lot of marketing experts as of late and

they are saying if you don't have a presence online in

2026, you are probably not going to make it in the future.

We are getting to the point where there's so many avenues of learning

about things. You have to be on everything. You have to be

everywhere if you want to actually make something of

yourself. But you also can size

that. If you only want to stay on one community, you can stay on one

community. You don't have to go further. It's just a

matter of what you want to do in terms of why

people start podcasting. It's all preferential choice. I started it

because I wanted to showcase a different type of narrative than

we're being seen. But my ultimate goal isn't

that it's understanding who I want to be and who I

understand I am, but also taking

steps to guarantee I can do certain things in life.

You got to understand that everything's a stepping stone into everything.

The more you're Willing to throw yourself out there and try new things. The

more connections, the more opportunities, the more understanding you're going

to have about yourself. And I think ultimately

it comes down to understanding who you are, to understanding what you want.

And everybody just likes to showcase who they are and what

they want, and people connect to that. People just want to

be real, showcase who they are, and connect with others.

My biggest qualm throughout my entire life is I didn't know how to connect

with people. I didn't understand how to have friendships. I didn't know what people

wanted from me. And then I realized that doesn't matter. I

needed to figure out what I wanted for me. You use the term stepping

stone, which is a great way to describe this evolution that

we're seeing in podcasting. Whereas this started as a

YouTube show, and then I think one of them started

dating the largest pop star in the world, and it

became something bigger than what it is. And

they have done live events in the past, and that's kind of like this

evolution. Yes, they can sit at home, record an episode,

read sponsorship ads, and they probably make a very good

chunk of change doing that. But live events, filling

theaters, filling arenas, that is a

whole nother game of making a profit off of

a single episode. So think about these steps and that

stepping stone that Cody's mentioning. Right now, you're recording in your home

studio, just like the New Heights podcast was five, 10 years ago.

How do you get out of that? How do you get to the next level?

How do you play those small clubs, those parks, those coffee

shops? How do you get out of your home studio environment

into the real life? So that when these large events

come to town and they start looking for opening acts, they're going to start to

pull from people who are doing the work, who are putting in the

time, who are doing live shows already in front of an audience and have experience.

You'll be ripe for that selection. In terms of how you

get there, this is a hard process. Even I'm still learning. I'm

not at that point. I do understand how to get there. I'm still

fuzzy on some of the details, but I'm kind of just going on

autopilot. One of the biggest things you could do as a podcaster,

if you want to be recognized, is just consistently upload.

That consistency schedule is something that really resonates with people.

If you're willing to show up day in, day out for your

audience, they're gonna. They're gonna take that, they're gonna understand that

you only grow by keeping at it. I started this a year ago,

and the majority of podcasts that I started with, like, because I started on

podmatch, which is where we met, I started

when they first started up, and all of those podcasts that came up with me,

most of them are gone. It's because you couldn't. They didn't

have the consistency. They couldn't see past their,

oh, if I post this, people will come. And when they don't

come, I am now I've done something wrong.

It comes over time. Everything is a rolling stone. The

more time and energy and consistency you put into something, the

more expert you get, the more understanding you get, the more tweaks you

can put in, the better you're going to resonate with your audience. In

terms of how I'm going to this next year, I have plans to

scale, so I'm looking at bringing in, creating a community

space, bringing in people who actually resonate with my content to help

me generate even more content. The

stepping stone is just engaging. It really is

figuring out what your audience wants from you and then just giving it

to them and also being happy about

it. I don't care if my content

doesn't do well. I'm just happy that my content's out there.

And that's kind of the mentality you need to have when you come into

the entertainment space. You need to stop worrying about the ifs, ands, or

what's, and just be like, I'm happy with what I've done

because it means something personally to myself.

Yeah. Think about the types of communities that you build or the types of communities

that you're a part of. You can. You can join a group online, a Facebook

group, or a LinkedIn group and kind of talk to people or

bounce ideas off of people. But the communities that you form

in real life, around content creation, around things that

you love to do, you can't replace that online. And

let's say you meet people in your community that like what you talk

about, and you just schedule a meetup once a month, you

could think of how far you could grow your ideas and concepts and

Show Ideas in six months or 12 months, if you start

laying that groundwork now. And that's what Cody's building, building these

communities, connecting with people. You can do that in your

hometown. You can do that with people around you who love doing the same thing.

And why not start building that community? Who wants to

come out and see live events? Even before I started this, like, I

connected with streamers online, I ended up in a community. That

community found me a few friends that I was talking to. We set up our

own community and became our own little friend group. We no longer

associated with the streamer anymore, but now I have friends all over the world that

I've connected with in different ways because we just had a shared

community to begin with. It's all about

connecting. I'm really starting to understand that the human experience

is all about connecting with people. That's it. It's so simple.

I'm 50 years old and I'm just figuring it out now.

Cody, this has been a blast. The six stories, they go by

so fast and I really appreciate you being here today. I love the

way you're building things, the perspective of what you're bringing to the

content creating community. You are doing something that I believe is

the most important part of the future of podcasting, of the

future of content creating, bringing these communities together,

really building the asset that belongs to the individual and

letting them control the narrative. Cody, one last time, I'm

going to turn the floor over to you. Plug, promote, talk about anything

you want. Cody, the floor is yours.

My name is Cody Johnston, AKA the Weird Canadian. You can find me

at theweirdcanadian CA or anywhere you can type in the Weird

Canadian. In terms of what I want to talk about

for my last little bit here, the world

is changing at a significant pace

and I understand a lot of people are afraid of what's

going on and how it's happening. I just press

everybody to look a little bit deeper than the headlines, kind of try

and understand what's right and what's wrong,

come up with your own set of moral values that you do not want to

compromise and stick with it. I think becoming

who you want to be is easier than ever in this day and age

and it just takes a little bit of understanding of yourself.

And I'll be writing a book about this to give you some strategies. It's called

Bleeding Digital. I have no representation yet. It will be out soon

or hopefully soon. But yeah, if you need

any information or just want to connect with me, anything at all, like I

am an open resource. My email is open. My

if you reach out to me, I'm going to have an engaging conversation with you.

As long as you're not a troll. No trolls.

The weird. That's your tagline with the weird Canadian.

No trolls. It's because I used to be a troll.

It gets me going into the problem. I do.

Deep down inside, I think we're all we're all trolls that enjoy pushing

buttons and ruffling feathers. But Cody, this has been so

much fun. I'll put all the links into the show. Notes we also have the

crew page on Poduty in the News, where every guest that's ever been on the

show gets a page. The crew page with all the

links to their whatever they're building to their websites,

and all the links of all the podcasts they've ever been on. I'd love to

have you back on the show on a future episode. You'll see all that on

Poduty and the Crew. Cody, do you remember

what time it was? I guess it was my interview

time. What time is it?

Poduty and the News the only live

news podcast about podcasting from the

stage.

The only live news podcast about

podcasting from the staaaaaaaage.