From Ear Hustle to Art Educators: Live Podcasting Stories That Matter with Ashe Woodward
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From Ear Hustle to Art Educators: Live Podcasting Stories That Matter with Ashe Woodward

Hey everybody, welcome to Poduty and the News for

Tuesday, March 10th, 2026. I have Ashe Woodward joining me

from the Spooky Scholars Podcast. We've got 6 great stories about live

podcasting coming your way. We're talking about attention economy,

behind bars podcasting, crossed wires, and art

educators save the world. Ashe, do you know what time it

is? I do. It's Mario time. What time is it? What time is

it? Oh, oh, it's time for Poduty and the News. Poduty and the News, the

only live news podcast about podcasting

from the state.

Poduty

and the News.

Poduty and the News, the

only live news

Ashe Woodward, welcome to the show. Howdy. Thanks for having

me. You did mention Eeets a Mario Day. It's March

10th, M-A-R-1-0, Mario, March 10th.

And we were just talking, it's about 8 PM when we're recording here.

I didn't hear a single person tell me today that it was Mario Day. No,

I saw nothing. I was, you know, on social media way too much all day.

I didn't see anything. Sometimes trends are so in your face, like the

McDonald's CEO eating a cheeseburger. And then sometimes you

don't hear anything, like Mario Day was a huge thing the last couple of years,

but I guess Mario's already faded from pop culture.

Whoa. Well, that was fast. After 40 years. Yeah, right.

I don't think so. Well, Ashe, I know you do a radio show.

You do The Spooky Scholars podcast. You're an author.

You're so well qualified to talk about the stories that we're going to talk about

today. And also, this is your second appearance on the show, so

we're really excited to have you back. I'm excited to be back. Thank you so

much for having me and putting up with me again. I can't wait to talk

about this stuff. That's my favorite part of the day. But tell us

a little about the Spooky Scholars and a little bit about the radio show that

you host. Oh, sure. I'm in Spooky Scholars. It's my

podcast about scholarship in horror. So

we look at things like everything through a

queer lens or feminine gaze and male gaze and all of these

things that maybe you don't think of when you're just watching like a cheesy horror

movie. We dive deeper and we show you things that maybe you didn't think

of before that actually matter and connect to society.

And then Horror Helpline is the radio show where I— it's

a call-in show, so I have people call in with their problems So everything

from like boyfriend blues to like school issues

or just dealing with life. And then I match them with a horror movie

that maybe helps them out, maybe shows them that it's

not so bad actually, or maybe has the same theme and connection there.

And that's going to be turning into a podcast real soon

too. So you'll have that as well. Oh, that's incredible. And

the best way if people want to connect with you, find you, we do have

the crew page. You're already inducted into Poduty and the Crew, so all your

links are already on there. But for the show notes, anywhere particular you'd like to

send people? I mean, I mean, like I said, I'm on

social media a lot. You can find me there, probably see that I'm online. So

it's @spooky.scholars. You'll find me around.

Look for the green light and send a message. Yep.

Awesome. Are you ready for our first story? Totally.

We're going to talk about the growth of podcasting. We're going

to Insider Radio, Inside Radio, and podcasting is

winning the battle for attention and the data is starting to make that

crystal clear. According to new research from Edison and MRI

Simmons, podcast listening is not just growing, it

is replacing other media habits. Almost 40% of

listeners say podcasts are replacing time spent scrolling social

media. More than a third say they are listening instead of

watching TV or streaming music. And get this,

adults are now spending an average of over 100

minutes a day with podcasts, which is more than TikTok, Facebook,

or Instagram. And for advertisers, that kind of focused attention

is gold. It also shows why brands are shifting

more ad dollars towards podcasts, because when people choose podcasts,

they're choosing deeper engagement. I don't think anything about

this article is a big surprise. We've seen this

growth pattern happen over the last, certainly last 10 years. We

were talking on the last show, really when Serial rolled on the

scene with Sarah Koenig and her episodic

series really just captured people's attention. And that was a big

growth spurt for podcasting. So, and then COVID came and that was

another growth spurt for podcasting. So The trend has certainly been

upward for the last 10 years. The trend is trending.

I mean, I think, but because we're now seeing it change,

right? There's kind of this, there's been a turn where,

well, I guess it depends what kind of podcast you have, but

there is that change to get more polished. There is that change to get more,

again, advertising dollars on it and all of that. But I still think that there's

also people coming to podcasting because it feels old school.

It feels like people can just kind of say what they want. It's still

the place for people to just have people and interview and do those deep

dives like I do. So yeah, I think there's

maybe we'll see even more separation. Maybe that's what it's going to show us, like

different kinds of podcasts that people are focusing on.

I don't know. We've also seen an expansion

of the definition of a podcast too. I think that may play into some of

this too, where We used to say 10 years ago, if it wasn't an

MP3 file distributed by an RSS feed to a podcast

aggregator, was it really a podcast? Get out of here, right? Get out

of here. But now, you know, we now accept video

as podcasts. We accept just YouTube shows as a form of

podcasting. And, you know, really just anything that you're creating now

could technically be a podcast. So does that

expansion of that definition increase what we are

considering for consumption? Maybe, but I do think that

independent media has certainly been on a trending trend, as you had

mentioned, for the last 10 years. I did my podcast for a long time with

no video. I was like, no way. I'm just going to do, like I was

saying, I'm like team old school podcasting. I don't need

video, but then you go, ah, but you get

so much more engagement. You get so many more

views, you can be in so many more different places. Like it's much more ready.

Like, of course you can have a video-less podcast, a

faceless podcast on YouTube, but that doesn't get as much engagement. So you

kind of get pushed into it, but luckily there are a lot of

platforms and there's a lot of help out there to do that now. So that's

made it easier too. I think that's part of it. I'm here to ride this

wave to wherever podcasting is taking us. I've also

veered from 2015 Jeff, who was adamant about that definition of

a podcast. I will now accept video podcasts. I'll accept

really anything that's independent created. If you're going to do something with passion

into it and you want to call it a podcast, that's okay. I'm going to

be there to support you. I'm going to be there because you're creating something special

and putting out into the world. I don't have to get hung up on the

definition. So maybe my hours are over 103

minutes per day because I'm including almost everything I'm watching now as a

podcast.

Well, let's go to story number 2. I did a story about

this podcast, Ear Hustle. They actually came to Pittsburgh,

uh, maybe a year ago, and they did another show.

This show actually started in prison. It's pretty impressive story. One

of the most powerful examples of podcasting's impact happened inside a

prison. The award-winning podcast Ear Hustle recently

recorded a live episode at the Central California Women's Facility.

The show actually started inside prison years ago, created

to tell stories about life behind bars. For the incarcerated women who

attended the recording, it meant more than entertainment. It meant a

connection and hope. Some said it reminded them they were still being thought

about on the outside. It's a powerful reminder that podcasting

is not just about downloads or ad revenue. Sometimes it's about giving

people a voice and creating moments that matter.

This one, like I mentioned, is they went on tour. I know they did a

stop in Pittsburgh, and part of the stops that they must be doing on their

tours, they're actually going back, you know, talking to some

of the inmates, places where they may have been incarcerated. But they're having

these shows, they're having these tough conversations, they're having

conversations with people who mentioned they may not have had so

much hope, they may have felt neglected from the outside, or does anybody even know

what's happening 'cause they may even know what they're doing. And that kind

of connection, that outside connection, can really boost morale,

can really help people just feel human again, to feel

part of society, feel connected to the outside world.

Yeah. And I mean, this kind of also connects to what we're saying about,

you know, the power of podcasting too, because without

podcasting, this is the kind of group or like

niche kind of group of, um,

inmates that have these kinds of stories, people on the inside, and

then maybe people on the outside dealing with their trauma. Like,

those are the kind of people that don't get attention. So podcasting is

the perfect way that at least we can shine a light on some of these

stories as well. Yeah. Whether you're inside or outside

that system, you have stories, you have experiences, you

have things that maybe you can't talk to with other people. They just

don't understand. What the life or the transition was like.

And this podcast could be that bridge to, you know, maybe give some

balance back to the two different worlds, whether you're, you know,

incarcerated or now free. That, you know, there's things

that you know that you just can't talk about with your brothers and sisters and

mom and dad. They don't— they just won't get it. But these stories are going

to have those roots, are going to have that connection, and it could, it could

give some peace, some clarity to you as well. Mm-hmm.

And the very good thing about this podcast in particular is they're doing very

well. They're a very popular podcast. I think people really

get that, you know, these are just good stories as well.

Um, and they also, I will say they have a beautiful website. I think the

guy that is part of developing this, he's the artist, but there's

beautiful art all over the website and it's really, it's, it's really cool. You should

check it out. Well, let's go to We're sticking in

California. This time we're about making policy and

housing too. So this next story is a great reminder that live podcasting

does not have to be about entertainment alone. It can also make big,

complicated issues feel personal and real. In a live

conversation with Assemblymember Buffy Wicks, housing policy

was not presented like a dry press conference. It became a human

story about security, affordability, family, and the future

of entire communities. She talked about grow—

she talked about growing up in a mobile home, how housing shaped her life,

and why California's shortage of homes touches everything

from education to healthcare to climate goals.

This is the power of live conversation done well.

It turns policy into something that people can actually connect with,

follow, and care about. The

housing in this country is one of the most talked about things

that I, I talk about with anybody under the age of 40.

There's not a path forward for a lot of young people to even

think about purchasing a house at these prices with the, the

value of the dollar. It's a very tough— and that's,

that's a half the population under 40 trying to find

homes, trying to buy home ownership. Trying to get

that fastest— the fastest path to building wealth is to

start buying your own home, having that property, having that

ownership. And there's a big chunk of people for the last

15 years who haven't been able to do that. So having events like

this, bringing a podcast, bringing the Assemblywoman Buffy

Wicks to the stage to talk about some of these issues,

can help, you know, maybe unfreeze that market a little

bit and make housing a little bit more affordable. Yeah. And I

think this is such a great strategy as well, because like you're saying, that group

that has kind of been shut out of homeownership,

they're disgruntled. They're like, you know, why is

minimum wage where it is? Like, this is impossible. So, you know,

I think somebody very smart in their media team is thinking,

yeah, if she just comes out here and gives a press conference, that's going to

feel very top down, right? Like just another person talking down to us

about housing or making empty promises. So I think using the

podcast format or conversation format in that way.

Just, it makes it a story. What a novel, I didn't mean to use a

pun, but what a novel idea to give it a story and an actual human

story behind it that people will listen to and not feel talked at,

I think is the power of this one. Yeah, most of the

press conferences or speeches you hear

directed at the younger generation is, hey, stop buying

coffee. And work harder. We worked harder when we were kids and we

could buy houses. But having a

conversation and opening that dialogue with the public, you're going to hear

the other side as well. You're going to be able to take questions. You're going

to be able to hear feedback like, hey, I've been saving and

I'm just nowhere close to even having what a bank will consider

a down payment. I'm not keeping up with the, the rising price

of housing. What can we do about this?

Yeah, exactly. And just for the record, the same is happening in Canada.

So we're the same. Global.

And so I— now it's a little silly, we're going to go from talking

about incarceration, talking about housing prices, to me

not being able to find out what the price of a ticket was, uh, for

a podcast. This website drove me crazy. I'm excited

about the event. I love that there's all these podcasts together, and I'll I'll go

through my one complaint about this whole thing. And the

CrossWires is building something huge in the live podcasting space.

The festival is adding more headline acts, expanding to

4 days, and leaning into a mix of comedy, true

crime, politics, and fan events that could attract a wide

audience. On paper, this looks like a big win for live

podcasting. They brought in 25,000 people last year. And they

are going even bigger in 2026. But this is the thing that

drove me crazy: this great programming is only half the battle.

If the ticket, ticket buying experience is full of

friction, you're making it harder for fans to support you. In live

podcasting, every extra click, every confusing step, and every

moment of hesitation can cost you a sale. And I feel like I need to

explain what's happening here. All I wanted to do was find out what the

average ticket price was so that I could say, hey, these are tickets are

starting at $20. You can go to an arena, watch a live

podcast, and it's going to cost you $20, $25. That's what I

wanted to do. But because Ticketmaster is their—

I think Ticket— I think it was Ticketmaster is their ticketing agent. They're trying

to capture everybody's information before you get to the

ticketing site. So every time you click on one of these shows

to watch them or to get their tickets or find out the ticket price, You

have to enter your name, you have to enter your email, you have to enter

your cell phone. Then only after you do that can you

go into the Ticketmaster site. Then you can start to select your

tickets, but it's only for one of the shows. So it is unbelievably

complicated for me. I did— maybe I just couldn't figure it out, but

having to do all that just to find a ticket price was like 10

extra steps, and that just infuriated me, and I wanted to talk

about that. I'm sure you're not alone. I mean, that's annoying, and we have

enough of that all day. If we want to go to a fun event, event,

I don't want it to be work, right? That sounds arduous.

Yeah. And every single one, you heard your name again.

No, thank you. No, you definitely got to streamline that user experience,

especially for something like this. Like, this is the kind of event that's really cool.

And like, you and I are going to think this is awesome. But I think

for a lot of people, this would be something new. They're like, we're going to

go see a live podcast. I've never done that before. So they take a chance

and click on the website. And then it kind of lets them down. It's like,

oh, okay, we'll just give up because it probably wouldn't have been good anyway, right?

Like, so you're going to lose those people that might be like newcomers that could

be joining in and making the event even bigger. Yeah, I have to fully

identify myself just to browse. That would— yeah, no, I'd be

out too. I feel you. That's

old Jeffers turning 50 this year, and I'm angry about giving up my

email. Well, let's

keep it moving right along. That's— and I am very impressed. It's a great

lineup. It looks like a great festival. I wish I was in the area to

go to that. Uh, if you do and you love any of these

podcasts, go support them for, you know, do the extra steps to find the

tickets. But next year, I hope they streamline that process where,

you know, I can just get a ticket, I can just see the pricing. Um,

what can we do about Ticketmaster? I mean, oh man,

hopefully their, their grip is slipping. I've heard

some, uh, yeah, some things that may be changing in the Ticketmaster ecosystem.

Yeah, they might be getting called out, which would be good.

And let's go to one of the coolest slides I've ever put on this show.

When podcasting meets the arts from KPBS. Here's

a story that reminds us podcasting does not always have to chase big crowds

or big-ticket prices. The Art Educators Save the World

podcast recently recorded a live episode at the Comic-Con

Museum in San Diego. For just $5, and you didn't

have to give up your email, phone number, and full name.

Audiences could watch a conversation between Emmy-winning writers

Joshua Pruitt and Scott Peterson about membership,

creativity, and the role education plays in building a career in the

arts. Events like this are small, intentional, and community-driven.

They show how podcasts can support the arts, connect generations

of creators, and create spaces where learning and

storytelling come together on stage.

The thumbnail for this website was like my favorite thing in the whole

story. And to hear what they put together, what

they're doing and what they're building, it just inspires you and gives

you hope for the future. Yeah, we need some hope for the future.

Yeah, we'll take some of that. I mean, I love the aspect of this just

being real people. I mean, all of these are real people, but

like it's specifically designed to be like a mentorship and like give

some leadership. It's doing so many things, right? But I think,

you know, charging $5 again is that grassroots kind of feeling of

podcasting. I think it's the, that's also tapping into like

real people giving mentorship to kids and not just letting them go

and do like digital platform learning, you know, get out, go see a show,

actually hear from real people, authors, come on, you know,

support books, support

words. I'm a big fan of words, words and words. Yeah.

But the, the caption, exploring the mysteries of what can happen in a classroom

when teachers and students inspire each other, was

a truly joyful surprise. That was a quote right on the page by Peggy

Pfeiffer. Peggy Pfeiffer. So right on the home page, uh, just

a really cool, like, superhero type, uh,

imagery. You have this event where you're going to the Comic-Con

Museum, which I didn't even know there was a Comic-Con Museum. Yeah, that's And

for $5, you're hanging out with this podcast. You're hearing the

stories. You're hearing about the future. You're hearing about educating

the young minds in different ways. And it's just a fun,

great way to spend a night for $5 and get them into

podcasting. Yeah.

And speaking of podcasting, we're going to our

last story. It always goes so fast, but Not

every podcast needs words. And this one I like to file sometimes

live streams or live shows under

topics where I didn't really expect to see a podcast, a genre I

didn't expect to see a podcast. And this is our final story today, a

reminder that not every podcast needs a microphone conversation.

The Alpha Rhythm Drum and Bass podcast is celebrating how many?

400 episodes with a live show built entirely around

music mixes. Every week the show releases new tracks and

live streams, DJ-style performances that introduce

listeners to new electronic and drum and bass

artists. It's a great example of how podcasting can go beyond

talk shows and interviews. Sometimes the content is the music

itself and the live experience becomes more like a concert

than a podcast recording. And the DJ just spins music

for, you know, an hour, hour and a half. And informing

you about the tracks, telling you a little backstory, when it came out, when the

album— who released the album. So you're getting a little— there is some words

happening throughout the show, a little bit of dialogue. All right,

go words again. Good word.

No, I love this too. This is like— it's a way to also

expand our mind on what a podcast is, but also just

like diversify the space, right? Like, I don't know, it's

funny because when I think about my radio show, You know,

it's me. I'm just like a talk show. It's just me talking.

Sorry, guys. But then after me, it's people doing music. So

it's kind of like mimicking, of course, that radio space music,

obviously. But it's mimicking that in a way that it's

still within. You can also switch over to a talk podcast,

right? Like, it's like, I don't know, that's just very cool. Yeah.

If you look closely to the thing that I liked, I love, you know,

as a kid, sitting in my room at night doing homework, listening to the

radio, you know, you could hear what the DJ told you, you could hear maybe

what the caller said when they called in. But if you look at over to

the right, the Super Chat that's going on, you don't

get this with radio, which is a— I love that he's— he is basically producing

a radio show, calling it a podcast. But the

interaction with the community, the interaction where you're able to

leave a comment— I'm in Pittsburgh and somebody in Canada I could

interact with, and we both like the same types of music, but we're having

this shared experience while listening, was just a new

way to take a live podcasting, a live radio show, I thought, to

a whole nother level. And the fact that he's doing 4— he's done

400 of these, that's pretty impressive. It's very

impressive. I only have— I mean, I feel like I've been doing Spooky Scholars forever,

and it's only at like— I'm just over 100. That's so impressive.

And something like this, it's Such a beautiful idea. Like you said, the community

involvement in this, just another way to get people engaged. It's just,

it's so cool. I'm all about this. Plus it's like drum and bass, which I

love. So this is great. You're not gonna, you

don't get that on the radio. That's not on the radio. So that's awesome. No,

you'd have to subscribe to XM or something. Exactly. And then listen to

a lot more ads than I think this guy would do, right? Yeah.

YouTube is free. We can watch the live stream. Get the comments, connect with

people, use your words to connect with people all around the world.

Uh, Asia, this has been so much fun. Again,

episode number 2 for you in the books. You're officially a

two-timer in the Poduty Crew Hall of Fame.

Uh, one last time, anything you'd like to talk about, plug, promote, I

turn the floor over to you. The floor is

yours. The floor is mine. Well, I mean, I don't need to

promo anything right now. Well, maybe I'll just shout out my

greatest contribution. It's called Darkest Margins, and it's all about

liminality in horror. So you should check that out from 1428

Publishing. Really proud of my essay in there. It's all about the Flatliners

universe. But beyond that, I don't know,

this, this show today kind of just inspires me to tell more people, like, go

get a podcast. Like, it's so fun. It's

easy. Anyone can do it. You might just find your creativity in such a

special way. Then you can do— come back here and learn how to do live

events once you've got it down. But go get a podcast if you don't have

a podcast. Go out and get one. Like

adoption.

I saw a really cool video today. It was a pet adoption event

where the humans sit around in like a

giant circle and then they release one animal at

a time and the animal will go around and then choose

their person. It was super cool. Like, you want to see an old

man tear up a little bit? Yeah, yeah.

Like, this little pit bull runs in and this guy, like, gets the biggest

hug he's given the pit bull. And it was, like, the craziest experience.

And, uh, there was, like, 50 people there trying to adopt animals. So

it was nice to see that many people would take a chance on letting the

pet find them and choose them. And it was just, just a super cool

event. So Just like that pet chose that human as

his human, go out and choose your podcast. Whatever you're passionate about,

talk about it, and then think about doing it live. That's all I

have for Poduty and the News for Eat Some Oreo Day.

Oh, it's time for Poduty

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